E L E C T R O A C O U S T I C

All the Light We Cannot See (2019), for flute, guitar, double bass, and live electronics (stereo)
premiered by Ensemble Dal Niente at Splice 2019
Titanium Quartz (2019), for tap dance, electronics, and video
written for Corinne Klemenc
Camp Fire (2019), for fixed media, Pierrot Ensemble, and video
Universe (2019), for chamber ensemble, video, and live processing
written for UGA’s D@WGBYT3S Electronic Ensemble
turtles on a shed (2019), for tap dance and percussion (drum set+MalletStation)
written for Pie for Two
Improvisation (2018), for fixed media, solo instrument, and live processing

 

E L E C T R O N I C S

gamma rhythm (2018), for fixed media and video (stereo)
The Rosetta Theatre Project (2018), for theatre reenactment and fixed media (quadraphonic)
Prelude (2018), for ROLI Lightpad Blocks (quadraphonic)
written for UGA’s D@WGBYT3S Electronic Ensemble
Azurite (2018), for ROLI Lightpad Blocks (quadraphonic)
written for UGA’s D@WGBYT3S Electronic Ensemble
art.i.fax (2018), for fixed media (stereo)
embers (2016), for fixed media (stereo)
R E C E D E (2016), for fixed media (stereo)
Prelude (2016), for fixed media (stereo)

 

S O L O

particle[modicum]molecule (2019), for baritone saxophone
written for Joe Lyons
for the beauty of the Earth (2019), for open instrumentation
premiered by Southland Ensemble at Automata in Los Angeles

 

D U E T S

Oppalized Ammonite, for alto saxophone and drum set
written for Duoctane
blond eyes (2019), for alto saxophone and percussion
written for Bent Frequency Duo
PRISM (2018), for flute and percussion+synthesizer
written for Safety Second
organs out the neckhole (2017), for flute and percussion
written for Safety Second
Riparian (2016), for violin and alto saxophone
Unearthing (2016), for bass clarinet and marimba
capture me in amber (2016), for violin duet
Mirror (2015), for two saxophones
Valley of Bones Sonata (2015), for trombone and piano

 

C H A M B E R   W O R K S

The Haunted House (2019), for chamber ensemble (flute, clarinet, trumpet, violin, viola, and cello) and video
written for Incongruency
inverse (2019), for amplified string quartet
fragment (2018), for flute, clarinet, trumpet, violin, viola, and dancers
Humana Corpus (2018), for flute, clarinet, trumpet, violin, viola, and cello
written for Incongruency
Tonic of Wildness (2017), for percussion ensemble
earth bound (2016), for violin, alto saxophone, and piano
…and I Confronted the Bounding Main (2016), for string quartet
Ares (2016), for Pierrot Ensemble
When Words Become Whisper (2016), for mixed chamber ensemble
Four Renderings of a Sparrow’s Song (2016), for saxophone quartet
Stained Glass (2015), for jazz quartet

 

V O C A L   W O R K S

The Road and the End (2017), for mixed chamber ensemble and three voices
Hope is the thing with feathers (2016), for children’s choir and string quartet
for premiere, please contact me at kathrynekoopman@gmail.com
With Every Morn (2016), for choir
Huge Vapors Brood (2015), for piano and baritone

 

L A R G E   E N S E M B L E

AXIS (2018), for antiphonal viola choir
written for the UGA viola studio
Cartesian Split (2016), for wind ensemble